Revelation to Revolution and a sister doing it for herself
Lynne Parker
Against the backdrop of a ‘revelation’ about the lack of women being booked for live gigs over the last few days, there’s a ‘revolution’ going on with sisters doing it for themselves. Nothing polarises this more than the fast-track comedy career of Serena Terry best known to her 3.5 million social media followers as ‘Mammy Banter’.
If you build it, they will come, and in Serena’s case, they did and they have. Midway through her second tour, a mere year since winning the Funny Women Content Creator Award, Serena is subverting the traditional comedy trajectory and already selling out large venues across the country. She’s up there with some of our biggest comedians in terms of audiences and there’s so much more to come.
This is meant to be a review of Serena’s show All Tied Up which I saw at Cadogan Hall last week in London, but over the last few days I’ve been sidetracked by an article on comedy website Chortle where comedian Lucy Beaumont commented on the lack of female acts getting booked by comedy clubs. This quickly went viral and further research by Chortle revealed that male comedians get booked six times more than women so it’s particularly great to see a new act taking matters into her own hands.
Serena Terry is still new to stand up and readily admits it. Her original ‘stage’ was (and still is) Instagram and TikTok where she created the online character ‘Mammy Banter’ to parody her own life as a distraction during lockdown. Her humour hit a nerve and Serena quickly went viral.
A promoter in Belfast saw her potential and gave Serena her first ever live stand up gig – not for the faint hearted this one as she ended up playing to over a thousand people. I’ve watched a recording and she has all the swagger of a pro.
This has now developed into a hugely successful touring show with a polished performance. Her audiences clearly come for the live ‘banter’ and crowd work really is Serena’s secret weapon. They bloody love her!
Serena’s show really is a homage to her increasingly huge and predominantly female fanbase. I was accompanied by one of about 10 men in an audience of 800 women all taking selfies and laughing at everything she said, sometimes even before she said anything! It’s a halo effect that I’ve only ever seen at arena shows by the likes of Peter Kay and Miranda Hart.
The online dimension of characterisation beloved by Serena’s fans, translates well into first-person stand up narrative all delivered in her distinctive Northern Irish accent. Her themes echo the ‘real life’ scenarios she plays out on her social platforms with references to married life, parenting teenage kids and the complications of everyday living. It’s relatable, familiar and accessible comedy.
It’s rare to begin a comedy career at this level and that brings a different kind of pressure. With barely a year of stage experience Serena has been selling out major venues with the largest being 8,500 seats at the SSE Arena Belfast – that would render even the most experienced comedian quaking in their boots.
Returning to the theme of the weekend and lack of female comedians being booked by promoters, they would do well to look at our Funny Women Awards Hall of Fame for a point of reference. Serena Terry is one of many talented winners and finalists listed from 20 years of the Awards.
Finally, let’s take leaf out of Serena’s book and do it for ourselves. It’s time we stopped being coy about all female line ups – political parties have all female candidate lists and it works. Funny Women has led to thousands of female acts actively working on the circuit, particularly at grassroots where development is still needed. Check out The Glitter Project coming very soon.
Serena cut out the ‘middle man’, went on the road and sold out two tours proving that a good act, regardless of gender, can sell tickets. She has ‘grown into’ her stage persona and I predict an amazing career ahead.
While stage time on the main comedy circuit for new female acts is still elusive – and not everybody has the same kind of chutzpah as Serena – I know that there’s more great female comedy out there than ever. Ignore the revelations, the revolution is already happening.
Serena Terry All Tied Up is touring until 22nd October. Details about her remaining shows are here.
Lynne Parker created Funny Women 20 years ago and is the chief executive and executive producer of the Funny Women Awards. She is an experienced marketeer, performance coach, facilitator and public speaker and writes for leading newspapers, magazines and trade journals. Lynne also hosts the HOW TO HAVE FUN AT WORK podcast featuring guests from business and comedy who look at how humour relates to the workplace and beyond.
Against the backdrop of a ‘revelation’ about the lack of women being booked for live gigs over the last few days, there’s a ‘revolution’ going on with sisters doing it for themselves. Nothing polarises this more than the fast-track comedy career of Serena Terry best known to her 3.5 million social media followers as ‘Mammy Banter’.
Aussie comedian and all round funny woman, Zoe Coombs Marr, crafts comedy like a wizard armed not with a wand, but a spreadsheet in her new show, Every Single Thing in my Entire Life at Soho Theatre.
We use technologies like cookies to store and/or access device information. We do this to improve browsing experience and to show personalised ads. Consenting to these technologies will allow us to process data such as browsing behaviour or unique IDs on this site.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistical
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
The deadline for registration for the Comedy Shorts Award has passed.
Funny Women NextUp…Comedy Shorts Award Are you a budding Director? Producer? Screenwriter? Are you collaborating with friends to make a funny video? Then we are looking for YOU!
If you have a short film or sketch that you think is hilarious, then enter your work for our Comedy Shorts Award to be in with a chance of winning some life-changing support and mentoring from comedy professionals.
WHAT KIND OF FILM ARE YOU LOOKING FOR?
A 1- 6 minute film that can take the form of anything comical. It’s a great opportunity to show us your creative flair and have fun!
WHO CAN ENTER?
This award is open to all women filmmakers and content developers. The film must be an original narrative created, produced and devised by a woman, or women, although male cast and crew members are allowed.
ARE THERE ANY ELIGIBILITY REQUIREMENTS FOR MY FILM?
Yes – we require all films to be 6 minutes or under, to be entirely original dialogue, to not feature brand logos and most importantly, to only use music with the written consent of the performer and/or publisher either personally or via the PRS system https://www.prsformusic.com/ .
WHAT WILL YOU DO WITH MY FILM?
We will broadcast selected entries on our Funny Women YouTube channel and social media (so keep an eye out) and the top 10 finalists’ films will also hosted on a dedicated Funny Women Comedy Shorts Awards page on our website. We will also broadcast the final 3 entries as part of the grand final night.
HOW IS IT JUDGED?
Films are judged for production, concept, delivery/performance, creativity, writing and overall funniness. The top 10 films are then viewed by an independent judging panel of top television and film industry professionals who will choose one overall winner and two runners up. The final three will be invited to attend the grand final in London on the 23rd September.
Revelation to Revolution and a sister doing it for herself
Lynne Parker
Against the backdrop of a ‘revelation’ about the lack of women being booked for live gigs over the last few days, there’s a ‘revolution’ going on with sisters doing it for themselves. Nothing polarises this more than the fast-track comedy career of Serena Terry best known to her 3.5 million social media followers as ‘Mammy Banter’.
If you build it, they will come, and in Serena’s case, they did and they have. Midway through her second tour, a mere year since winning the Funny Women Content Creator Award, Serena is subverting the traditional comedy trajectory and already selling out large venues across the country. She’s up there with some of our biggest comedians in terms of audiences and there’s so much more to come.
This is meant to be a review of Serena’s show All Tied Up which I saw at Cadogan Hall last week in London, but over the last few days I’ve been sidetracked by an article on comedy website Chortle where comedian Lucy Beaumont commented on the lack of female acts getting booked by comedy clubs. This quickly went viral and further research by Chortle revealed that male comedians get booked six times more than women so it’s particularly great to see a new act taking matters into her own hands.
Serena Terry is still new to stand up and readily admits it. Her original ‘stage’ was (and still is) Instagram and TikTok where she created the online character ‘Mammy Banter’ to parody her own life as a distraction during lockdown. Her humour hit a nerve and Serena quickly went viral.
A promoter in Belfast saw her potential and gave Serena her first ever live stand up gig – not for the faint hearted this one as she ended up playing to over a thousand people. I’ve watched a recording and she has all the swagger of a pro.
This has now developed into a hugely successful touring show with a polished performance. Her audiences clearly come for the live ‘banter’ and crowd work really is Serena’s secret weapon. They bloody love her!
Serena’s show really is a homage to her increasingly huge and predominantly female fanbase. I was accompanied by one of about 10 men in an audience of 800 women all taking selfies and laughing at everything she said, sometimes even before she said anything! It’s a halo effect that I’ve only ever seen at arena shows by the likes of Peter Kay and Miranda Hart.
The online dimension of characterisation beloved by Serena’s fans, translates well into first-person stand up narrative all delivered in her distinctive Northern Irish accent. Her themes echo the ‘real life’ scenarios she plays out on her social platforms with references to married life, parenting teenage kids and the complications of everyday living. It’s relatable, familiar and accessible comedy.
It’s rare to begin a comedy career at this level and that brings a different kind of pressure. With barely a year of stage experience Serena has been selling out major venues with the largest being 8,500 seats at the SSE Arena Belfast – that would render even the most experienced comedian quaking in their boots.
Returning to the theme of the weekend and lack of female comedians being booked by promoters, they would do well to look at our Funny Women Awards Hall of Fame for a point of reference. Serena Terry is one of many talented winners and finalists listed from 20 years of the Awards.
Finally, let’s take leaf out of Serena’s book and do it for ourselves. It’s time we stopped being coy about all female line ups – political parties have all female candidate lists and it works. Funny Women has led to thousands of female acts actively working on the circuit, particularly at grassroots where development is still needed. Check out The Glitter Project coming very soon.
Serena cut out the ‘middle man’, went on the road and sold out two tours proving that a good act, regardless of gender, can sell tickets. She has ‘grown into’ her stage persona and I predict an amazing career ahead.
While stage time on the main comedy circuit for new female acts is still elusive – and not everybody has the same kind of chutzpah as Serena – I know that there’s more great female comedy out there than ever. Ignore the revelations, the revolution is already happening.
Serena Terry All Tied Up is touring until 22nd October. Details about her remaining shows are here.
Lynne Parker
You might also enjoy
ANNOUNCING THE 2023 STAGE AWARD HEATS SUPPORTED BY NEXTUP COMEDY
Read More »The Gift of Patronage
Read More »2023 AWARDS REGISTRATION CLOSED, NOW WHAT?
Read More »Meet 2022 Comedy Writing Award Winner Ruby Carr!
Read More »Another Keynote Speech
Read More »THE STAGE IS SET FOR 2022 FUNNY WOMEN AWARDS
Read More »2022 STAGE AWARDS SUPPORTED BY NEXTUP COMEDY… SEMI-FINALISTS ANNOUNCED!
Read More »October Gig Guide
Read More »Funny Women Live in Brussels – 4th October
Read More »TOMORROW: Live in Brighton at Komedia
Read More »Shazia Mirza Takes on Celebrity SAS: Who Dares Wins
Read More »Check these out
Patreon Discount for next week’s COMEDY CRASH COURSE
Get 7 days free, when you sign-up to our Patreon. New subscribers only.To view this content, you must be a member of the Funny Women Patreon at £1.5
Revelation to Revolution and a sister doing it for herself
Against the backdrop of a ‘revelation’ about the lack of women being booked for live gigs over the last few days, there’s a ‘revolution’ going on with sisters doing it for themselves. Nothing polarises this more than the fast-track comedy career of Serena Terry best known to her 3.5 million social media followers as ‘Mammy Banter’.
Review: Zoe Coombs Marr, Every Single Thing in my Entire Life
Aussie comedian and all round funny woman, Zoe Coombs Marr, crafts comedy like a wizard armed not with a wand, but a spreadsheet in her new show, Every Single Thing in my Entire Life at Soho Theatre.
Review: Greenwich Comedy Festival Part 2
Funny Women headed to Greenwich Comedy Festival to see Kiri Pritchard-McClean, Laura Smyth, Louise Young, Rhys James and Dara O Briain.